The Video View
- About
- Video news elsewhere
- formats in search of audiences
- how short is short?
- Is Hulu more important that Time Warner Cable?
- last.fm and smartclip tie the knot
- MLB.com added to Little Roku
- pre-rolls to help YouTube turn a profit
- UK Commercial TV viewing shows an upswing
- what are the differences between in-stream and in-page video ads?
- why the JK wedding is a successful viral
- Why you need to be using video on your site…
- YouTube finalises revenue share for video partners
- YouTube to turn profit?
Archive for category regular
US: Online Video Ad-Spend as % of TV Spend
I am still trying to track down this information for Europe but in the meantime here is some data from E-Marketer for the US showing the online video ad-spend as a percentage of TV ad-spend.
The percentage is rising and in the current ad-spend environment that is very healthy but as @kones asked on twitter – is it effective? Well the only people who know the in-depth answer to that question are the advertisers and their agencies who monitor these things and they don’t usually like to give away that data. I would like to think that if it weren’t effective then advertisers would not be flocking to use it.
An old boss of mine once described a gaggle of inexperienced sales guys as ‘a bunch of five-year-olds trying to play football’ – everyone running around chasing the ball without actually thinking about why they were chasing it. This analogy plays well in the world of online advertising where from time to time a new technology or trend will appear and all of a sudden everybody wants to use it or be a part of it. To a certain extent online video advertising is like that – video brings a powerful connection to the consumer, interesting formats and perhaps most importantly the accountability of being online.
So the fact that online video advertising grew by 120% last year could just be the five-year-old football effect but I believe that it shows the growing trust and acceptance that is developing between the advertisers, agencies and publishers that are working in the sector.
YouTube jumps into the Pool
The Pool is a group of publishers (MSN, Hulu, CBS) and advertisers who have been corralled by Vivaki – the Publicis enterprise. Their aims are to figure out how video advertising can be standardised across multiple platforms and how the process can be streamlined. Without doubt their aims are worthy, media agencies and publishers alike want this market to grow and to be successful, is this the best mechanism for achieving that? Well that rather depends on how much other agency groups will sit up and take notice of what they are doing. After all if Vivaki do create some ’standards’ how much notice will Omnicom, Group M or Aegis take of them?
The Internet Advertising Bureau has been working with technology providers, publishers and agencies to define the Video Ad Serving Template (VAST) and the Video Player Ad Interface Definition (VPAID), these standards are designed to make it easy for agencies to buy across multiple publishers. The second version of the VAST standard is already under discussion which should hopefully formalise some of the woollier areas of the first attempt. If the technology providers such as DoubleClick, Eyewonder, Eyeblaster et al can help the publishers that they work with to adopt the standards then this should naturally lubricate the market.
Of course the Pool has one advantage over the IAB’s efforts. Vivaki buys advertising space and therefore has some teeth with which to persuade the relevant parties to get involved and to collaborate on developing the formats and standards that will make life easier for the advertisers. The IAB relies upon the musketeer attitude of all for one and one for all in the hope that those involved see the value of making the market grow.
How it will all pan out remains to be seen but the general direction of these efforts is a positive one.
And how would you like to pay for that? cpm cpc cpe cpv cpa…
Paying for your online media or advertising technology has never been ‘easier’…
If you’re new to the world of online advertising then the first thing that you need to learn is that the unit of currency that works for the majority of display advertising is the CPM (cost per mille or thousand). The number of ads displayed in a typical campaign is in the millions so to make things simpler everything is divided by a thousand. This is fine if you are showing a standard display ad that doesn’t do very much and all that you’re after is the percentage game. CPC (cost per click) is sometimes used for display or affiliate advertising but is mostly associated with search engine marketing where every ad that is clicked on has a cost.
Rich media advertising can deliver as many metrics as even the most data-orientated advertiser can handle and this is useful if the ad is built with many interactions – so if you want to count the number of aliens killed in a space invader game or the number of times a widget was shared then you can and these brand engagement metrics are a whole lot more informative than the click-through rate. But they aren’t really suitable for a payment scheme.
The video market is starting to change things again. Since video ads occupy the space between TV and online advertising the click-through measurement that has for a long time dominated online advertising is becoming less and less important. The promise of advertising online is that everything can be measured and this is true to a large extent but this has also become a noose with which to strangle ourselves. A middle ground is needed between TV (on an individual user level – largely unmeasurable) and online video (very measurable but sometimes unusable or irrelevant).
GRP (gross ratings points) are what a TV advertiser buys against, this is basically a measure of reach and frequency as a ration of the target audience. I’ve yet to see a meaningful way for this to be counted and since I’m talking about online video – I’m going to set this to one side for the time being.
Two online video advertising companies that offer alternative billing mechanisms are VideoEgg and Brightroll. VideoEgg started charging on a CPE (cost per engagement) basis earlier in the year and Brightroll have just announced their intention to charge using CPE or CPV (cost per completed video view). No doubt both of these are attractive to branding advertisers – after all wouldn’t a TV advertiser like to pay only for those viewers that actually sat through the commercials?
For a media agency one of the most important considerations is that the costs should be predictable since a large part of their revenue comes from a mark-up on these costs. The same applies for a publisher since they have fixed costs which they have to pay and want to maximise the income around their content. Sales networks can be a little more adventurous and this is where the change is coming from for video since video networks account for a greater proportion of spend than portals in the video market.
There is probably another way of charging direct response advertitsers who want to use video but only pay for those that convert as a direct result and for this I think that we will see something along the lines of a CPAv (cost per acquisition from video). After all, if there’s one thing that’s true in our industry – we sure do love an acronym.
Adidas adds some Coull interactivity
The Adidas House Party campaign has been around for a few months now but I think that it still demonstrates an excellent use of the interactivity that is available in online video. Through the use of hotspots within the footage and clear calls to action they have transformed a good TV ad into a great online video ad.
Aside from the catchy music, high celebrity count and engaging video, the online version has been doctored using some technology from Coull. They allow the video to become more interactive and thus more engaging for the user. It would be interesting to see what results the video achieved, after all this is not about directly selling sneakers for a price point – this is about brand engagement as measured by video views and interactions.
Interactivity built into video provides a much stronger user experience than a plain old video, turning something that is good on TV to something that is great online.
Dear ITV.com, have you heard of frequency capping?
Online catch up services have gained in popularity for TV stations ever since the launch of the BBC iplayer. Now we have the ITV Player, the Sky Player, Channel 4 OnDemand and Demand Five. The BBC is currently only available inside the UK and therefore doesn’t carry any advertising. The others include pre-roll advertising with companion banners, the quality of their implementations varies however.
Channel 5 show a few ads before the content with regular (and rather well signposted) break throughout the show. The ads are varied and clickable to go through and find out more about the advertised products. Channel 4 loses the signposting but allows click-throughs and varies the ads, and both of these come with some form of companion banner ad.
Now – to get to the point of the post – if you are a fan of Le Tour de France then you will probably have been watching the nightly round up of the day’s activities. I had missed a few and decided to dedicate some time to catching up with a few on ITV.com, almost the perfect use case for catch up TV. After starting the first episode and seeing an ad for G-Force (FBI employs wise cracking guinea pigs to prevent terror plot) the program played. At the next ad break the same ad played, at the next ad break the same ad played……..ad infinitum.
Reach and frequency are important to advertisers, the right balance of both yields the best results. If however the frequency is too great (I saw the G-force ad 15 times in a day) and the reach is too narrow, after all how many cycling fans have been watching it on the ITV website, then the experience is pretty poor which leads to poor results. I am not the target audience for the film, but had I been then I probably would have been turned off by the ads, a negative result for Disney. It wasn’t even clickable!
Most ad-servers worth their salt enable frequency capping, either ITV need to learn how to use it or they should seriously think about limiting the ad spots in their TV shows when played online.

The TV business needs to adapt to survive
If you are relying upon the ostrich business model and you work for a traditional media company then you might well be facing your final days according to Henry Blodget on Silicon Valley Insider
Following a chat with a pal of mine who has had several years of happiness in the TV industry – the times they are definitely a changing. If the TV companies don’t adapt to the changes in availability of content then they won’t be the kings of the advertising dollars that they are used to being for much longer.
Targeting video advertising.
I recently did some work with the IAB for their online video advertising handbook.
It was interesting to read all of the input from agencies, publishers and other technology providers and I think that the handbook gives a fair introductory overview to anyone who doesn’t understand how online video ads work.
Adobe gives Nike a little XD factor
thanks to the lovely emma for the pointer to this film.
if you are a fan of any niche sport – the chances are that at some point you will see a video of other people far more proficient than you are, making amazing things look easy and providing the perfect product positioning for a sponsor’s products. The latest one that I have seen is from Nike SB (skateboard). It has such high production values that even when viewed through a browser the quality of the video surpasses that of most DVDs.
The skate action is amazing but if you err on the technical side then you can see that the video quality when streamed over a fairly standard broadband line is phenomenal. Apparently Adobe helped quite a lot with this side of thigs with their new video products. Well done to them.
Is this advertising? Of a sort yes – product placement is increasingly being seen as a way to cut through the clutter of other online advertising methods. Are Nike tracking how many people buy their shoes who have also see the video? Probably, probably not. If someone watches the video and then goes straight to nikestore.com and buys then they’ll be tracked but for offline purchases the same dliemma of old media applies. How can you track someone who sees a TV, Magazine or Outdoor ad?
Increasingly big brands will give their consumers content which they want to give them a warm fuzzy feeling about the brand. Nike has been successful in doing this. Hopefully other large brands will see the possibilities and instead of holding back from pure branding exercises on the internet will get stuck in, be proud of their products and what people do with them and move on from allowing click-through-rates to be the only online measure that counts.
ITN to launch YouTube book club
According to the good fellows over at NMA – ITN are to launch an online book club. Will it work? Only time will tell but it does demonstrate one of the ways that online technologies are being used by older media companies to attract a new audience.
Find out more here nma.co.uk




